The Enjoyment of Music 13th Edition

Complete eTextbook Content:
Part 1: Materials of Music
Chapter 1 Melody: Musical Line
Chapter 2 Rhythm and Meter: Musical Time
Chapter 3 Harmony: Musical Depth
Chapter 4 The Organization of Musical Sounds
Chapter 5 Musical Texture
Chapter 6 Musical Form
Chapter 7 Musical Expression: Tempo and Dynamics
Chapter 8 Text and Music
Chapter 9 Voices and Instrument Families
Chapter 10 Western Musical Instruments
Chapter 11 Musical Ensembles
Chapter 12 Style and Function of Music in Society
Chapter 13 Putting Music into Words
Part 2: The Middle Ages and Renaissance
PRELUDE 2 Music as Commodity and Social Activity
Chapter 14 Voice and Worship: Tradition and Individuality in Medieval Chant
Chapter 15 Layering Lines: Polyphony at Notre Dame
Chapter 16 Symbols and Puzzles: Machaut and the Medieval Mind
Chapter 17 Singing in Friendship: The Renaissance Madrigal
Chapter 18 Remember Me: Personalizing the Motet in the Renaissance
Chapter 19 Glory Be: Music for the Renaissance Mass
Chapter 20 Instrumental Movements: Medieval and Renaissance Dance Music
Part 3: The Baroque Era
PRELUDE 3 Music as Exploration and Drama
Chapter 21 Voicing Gender: Women Composers in Baroque Italy
Chapter 22 Performing Grief: Purcell and Early Opera
Chapter 23 Musical Sermons: Bach and the Lutheran Cantata
Chapter 24 Textures of Worship: Handel and the English Oratorio
Chapter 25 Independent Study: Billings and the North American Sacred Tradition
Chapter 26 Grace and Grandeur: The Baroque Dance Suite
Chapter 27 Sounding Spring: Vivaldi and the Baroque Concerto
Chapter 28 Process as Meaning: Bach and the Fugue
Part 4: Eighteenth-Century Classicism
PRELUDE 4 Music as Order and Logic
Chapter 29 Musical Conversations: Haydn and Classical Chamber Music
Chapter 30 The Ultimate Instrument: Haydn and the Symphony
Chapter 31 Expanding the Conversation: Mozart, Chamber Music, and Larger Forms
Chapter 32 Conversation with a Leader: The Classical Concerto
Chapter 33 Personalizing the Conversation: Beethoven and the Classical Sonata
Chapter 34 Disrupting the Conversation: Beethoven and the Symphony in Transition
Chapter 35 Making It Real: Mozart and Classical Opera
Chapter 36 Mourning a Hero: Mozart and the Requiem
Part 5: The Nineteenth Century
PRELUDE 5 Music as Passion and Individualism
Chapter 37 Musical Reading: Schubert, Schumann, and the Early Romantic Lied
Chapter 38 Marketing Music: Foster and Early “Popular” Song
Chapter 39 Dancing at the Keyboard: Chopin and Romantic Piano Music
Chapter 40 Musical Diaries: Hensel and Programmatic Piano Music
Chapter 41 Personal Soundtracks: Berlioz and the Program Symphony
Chapter 42 Sounding Literature: Orchestral Program Music by Mendelssohn and Grieg
Chapter 43 Absolutely Classic: Brahms and the Nineteenth-Century Symphony
Chapter 44 Multimedia Hits: Verdi and Italian Romantic Opera
Chapter 45 Total Art: Wagner and German Romantic Opera
Chapter 46 Poetry in Motion: Tchaikovsky and the Ballet
Chapter 47 Exotic Allure: Puccini and the Italian Verismo Tradition
Chapter 48 Accepting Death: Fauré and the Requiem
Chapter 49 Mythical Impressions: Program Music at the End of the Nineteenth Century
Chapter 50 Jubilees and Jubilation: The African American Spiritual Tradition
Chapter 51 A Good Beat: American Vernacular Music at the Close of an Era
Part 6: Twentieth-Century Modernism
PRELUDE 6 Making Music Modern
Chapter 52 Anything Goes: Schoenberg and Musical Expressionism
Chapter 53 Calculated Shock: Stravinsky and Modernist Multimedia
Chapter 54 Still Sacred: Religious Music in the Twentieth Century
Chapter 55 War Is Hell: Berg and Expressionist Opera
Chapter 56 American Intersections: Jazz and Blues Traditions
Chapter 57 Modern America: Still and Musical Modernism in the United States
Chapter 58 Modern Experiments: Gershwin and “Cultivated Jazz”
Chapter 59 Sounds American: Ives, Copland, and Musical Nationalism
Chapter 60 Also American: Revueltas and Mexican Musical Modernism
Chapter 61 Classic Rethinking: Bartók and the Neo-Classical Turn
Part 7: Postmodernism: The Mid-Twentieth Century and Beyond
PRELUDE 7 Beyond Modernism?
Chapter 62 New Sound Palettes: Mid-Twentieth-Century American Experimentalists
Chapter 63 Staged Sentiment: Bernstein and American Musical Theater
Chapter 64 Less Is More: Reich and Minimalist Music
Chapter 65 Rolling Beethoven Over: Roots and Reworkings of Rock
Chapter 66 Returning with Interest: Bowie, Glass, and Postmodern Elaboration
Chapter 67 Neo-Romantic Evocations: Higdon and Program Music into the Twenty-First Century
Chapter 68 Underscoring Meaning: Williams and Music for Film
Chapter 69 Icons in Sound: Tavener and Postmodern Orthodoxy
Chapter 70 Reality Shows: Adams and Contemporary Opera
Appendix I: Musical Notation
Appendix II: Glossary
Appendix III: Reporting on the Concert Experience

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Name: The Enjoyment of Music 13th Edition
Author: Kristine Forney, Andrew Dell’Antonio, Joseph Machlis
Edition: 13
ISBN-10: 0393639037
ISBN-13: 978-0393639032
Type: eTextbook

This is a eBook for the actual textbook of The Enjoyment of Music 13th Edition, by Kristine Forney, Andrew Dell’Antonio, Joseph Machlis.

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